Review: Frieze Masters
Frieze commemorates its twenty-year milestone with a triumphant return, offering a magnetic display of artistry that spans the globe. The exhibition's pristine white walls provide a striking contrast against the lush backdrop of Regents Park's English Gardens, creating a visual spectacle that enthrals both seasoned attendees and newcomers alike.
Navigating the abundance of visual treasures can initially feel overwhelming, prompting the sage advice to explore at a leisurely pace (don’t worry, there are plenty of lush eateries, coffee stops and champagne bars inside if you need a break.) Frieze Masters emerges as a colossal celebration of colour, texture, and diversity, showcasing the artistic mastery curated by renowned gallerists from industry giants like Herald St London to esteemed establishments like Lehmann Maupin.
Yet, alongside the extraordinary, Frieze Masters also hosts exhibits that challenge preconceived notions of art.
The journey through zones A to H immerses visitors in a realm of virtuosic craftsmanship, unveiling collections and solo displays from a roster of artists.
(L) Danielle McKinney (R) Kevin Beasely
Among them, Adham Faramawy, recipient of the 2023 Artist Award at Frieze, and Kevin Beasely at Booth F4, presenting an array of wall-based and freestanding sculptures that establish a domestic tableau framed by the landscapes of our communal spaces, employing polyurethane resin, Virginia cotton, and black Sharpie pen—a collection presented by Casey Kaplan of New York.
The paintings of Danielle McKinney, presented by Marianne Boesky Gallery, transport viewers into an array of oil works portraying everyday leisure. These pieces radiate a sense of contented life, exuding an unapologetic authenticity. Gazing upon these works, a profound sense of tranquillity washes over, even amid the bustling crowd.
It prompts contemplation on whether this is art or a conspicuous display of opulence and privilege.
Yet, alongside the extraordinary, Frieze Masters also hosts exhibits that challenge preconceived notions of art. Sultan Bin Fahad's installation at Booth G24 is a prime example—a multimedia portrayal of life within the Royal Palace in Saudi Arabia.
The piece juxtaposes a table adorned with fine porcelain, complete with projections and still life, surrounded by photographs and dioramas. The concept, as explained, pays tribute to a customary banquet at the Palace where servants were permitted to dine before the royals—an unconventional departure from tradition. It prompts contemplation on whether this is art or a conspicuous display of opulence and privilege.
A final notable highlight lies in the vibrant works showcased by Gagosian, distinguished by their scale, texture, and harmony. These pieces serve as a centrepiece to the exhibition, evoking an emotional resonance particularly potent against the backdrop of a grey London day. The riot of colours invites viewers into a garden of exuberant harmonies—a fittingly joyful welcome and farewell to an epic Frieze.
Frieze runs until 15th October 2023. Tickets can be purchased here