What I Hear I Keep, By Larry AchiamPong
Achiampong is British Ghanaian, and created this series as a way to celebrate African identities.
The Woven Field, By Tim Stoner
The large scale canvases included are all inspired by Stoner’s time spent in Ronda, Spain...
RUKA HAIR: Preserving a Colourful Tradition
The team of superbly knowledgable and business savvy individuals at Ruka aim to preserve the traditions...
Now I am a Lake, Curated by Rose Nestler
'Now I am a Lake' is a group exhibition curated by New York based artist, Rose Nestler...
The Wild Edges, By Jelly Green
Return to the ‘Wild Edges’ of Britain through the window-portal at the Rowley Gallery...
All That you Can Leave Behind, by Ufuoma Essi
Enthral yourself in her three dimensional film experience at the Public Gallery...
Entry 04: Awake in the Witching Hour
London City Airport, at 5.54am, is a zoo...
A Brief History of the Summertime Festival
It rains, a few of our mates get detained, but we’re out, running free. Here it comes again… festival season is upon us...
Vexillary II, by Laila Hara T
The warped reflection may connote a near-asian identity, and the pain one can experience when forced to reconcile the differences of two cultures...
‘Hey, Elvis!’ By Lew Allen
You hear his voice, it’s lighter when he’s not in song. There is that rhythmic eloquence, always. Top heavy with the thick drawl, light on the bot